French artist Jean-Honoré Fragonard (1732-1806) used love as the theme for his paintings.
O francês Jean-Honoré Fragonard (1732-1806) utilizou o amor como tema das suas pinturas.
Jean-Honoré Fragonard (1732-1806)-‘the progress of love: the love crowned’-oil on canvas-ca 1773 New York-Frick collection
Jean-Honoré Fragonard (1732-1806)-’the progress of love: the love meeting’-oil on canvas-1773 New York-Frick collection
Jean-Honoré Fragonard (1732-1806)-’the progress of love: the pursuit’-oil on canvas-1773 New York-Frick collection
Jean-Honoré Fragonard (1732-1806)-’the progress of love: the confession of love’-oil on canvas-1771 New York-Frick collection
Jean-Honoré Fragonard (1732-1806)-‘the fountain of love’-oil on canvas-1785 London-Wallace collection
31.8.15
30.8.15
Jewish life by Yehuda Pen
The Lithuanian Jew artist Yehuda Pen (1854-1937) painted about the life of his people.
O judeu lituano Yehuda Pen (1854-1937) pintou a vida do seu povo.
Yehuda Pen (1854-1937)-‘watchmaker’-1914
Yehuda Pen (1854-1937)-‘reading the newspaper’-ca 1910
Yehuda Pen (1854-1937)-‘Jewish baker’
Yehuda Pen (1854-1937)-‘old taylor’-1910
Yehuda Pen (1854-1937)-‘’breakfast, self-portrait-1932
O judeu lituano Yehuda Pen (1854-1937) pintou a vida do seu povo.
Yehuda Pen (1854-1937)-‘watchmaker’-1914
Yehuda Pen (1854-1937)-‘reading the newspaper’-ca 1910
Yehuda Pen (1854-1937)-‘Jewish baker’
Yehuda Pen (1854-1937)-‘old taylor’-1910
Yehuda Pen (1854-1937)-‘’breakfast, self-portrait-1932
29.8.15
Lucky days by H. Slott-Moller
The Danish artist Harald Slott-Moller (1864-1937) was an adept at representing the expression “carpe diem”.
O dinamarquês Harald Slott-Moller (1864-1937) era adepto da expressão carpe diem.
Harald Slott-Moller (1864-1937)-‘the picnic’ New York-Brooklyn Museum
Harald Slott-Moller (1864-1937)-‘spring’-1909
Harald Slott-Moller (1864-1937)-‘morning coffee’-1910
Harald Slott-Moller (1864-1937)-‘a view of the lake Garda at Desenzano, Italy’-1910
Harald Slott-Moller (1864-1937)-‘fertility’
O dinamarquês Harald Slott-Moller (1864-1937) era adepto da expressão carpe diem.
Harald Slott-Moller (1864-1937)-‘the picnic’ New York-Brooklyn Museum
Harald Slott-Moller (1864-1937)-‘spring’-1909
Harald Slott-Moller (1864-1937)-‘morning coffee’-1910
Harald Slott-Moller (1864-1937)-‘a view of the lake Garda at Desenzano, Italy’-1910
Harald Slott-Moller (1864-1937)-‘fertility’
28.8.15
Picnic
The picnic, a country meal, was a form of coexistence with nature.
O picnic, refeição campestre, era uma forma de convivência com a natureza.
Charles-André van Loo (1705-1765)-‘halt during the hunt’-oil on canvas-1737 Paris-Musée du Louvre
James Joseph Jacques Tissot (1836-1902)-‘Holyday’-oil on canvas-ca 1876 Private collection
Filippo Napoletano (1587-1629)-‘picnic on the grass’-1617 Firenze-Galleria degli Uffizi
Harald Slott-Moller (1864-1937)-‘the afternoon picnic’
Anonymous (15th century)-‘nobleman picnic’-miniature Paris-Biblioteque National de France (Gaston Phoebus; the hunting book)
O picnic, refeição campestre, era uma forma de convivência com a natureza.
Charles-André van Loo (1705-1765)-‘halt during the hunt’-oil on canvas-1737 Paris-Musée du Louvre
James Joseph Jacques Tissot (1836-1902)-‘Holyday’-oil on canvas-ca 1876 Private collection
Filippo Napoletano (1587-1629)-‘picnic on the grass’-1617 Firenze-Galleria degli Uffizi
Harald Slott-Moller (1864-1937)-‘the afternoon picnic’
Anonymous (15th century)-‘nobleman picnic’-miniature Paris-Biblioteque National de France (Gaston Phoebus; the hunting book)
27.8.15
Life and death by H. N. O’Neil
The Russian-born English artist Henry Nelson O'Neil (1817-1880) painted aspects of life and death.
O pintor russo, naturalizado inglês, Henry Nelson O’Neil (1817-1880) pintou aspetos da vida e da morte.
Henry Nelson O’Neil (1817-1880)-‘the landing of HRH the Princess Alexandra at Gravensend, March 7, 1863’ Greenwich-National Maritime Museum
Henry Nelson O’Neil (1817-1880)-‘a picnic’-oil on canvas-1857
Henry Nelson O’Neil (1817-1880)-‘the parting cheer'-oil on canvas-1861 Greenwich-National Maritime Museum
Henry Nelson O’Neil (1817-1880)-‘the last hours of Mozart’-1849 Leeds-Museums and Galleries
Henry Nelson O’Neil (1817-1880)-‘the last moments of Raphael’-oil on canvas-1866 Bristol-Museum and Art Gallery
O pintor russo, naturalizado inglês, Henry Nelson O’Neil (1817-1880) pintou aspetos da vida e da morte.
Henry Nelson O’Neil (1817-1880)-‘the landing of HRH the Princess Alexandra at Gravensend, March 7, 1863’ Greenwich-National Maritime Museum
Henry Nelson O’Neil (1817-1880)-‘a picnic’-oil on canvas-1857
Henry Nelson O’Neil (1817-1880)-‘the parting cheer'-oil on canvas-1861 Greenwich-National Maritime Museum
Henry Nelson O’Neil (1817-1880)-‘the last hours of Mozart’-1849 Leeds-Museums and Galleries
Henry Nelson O’Neil (1817-1880)-‘the last moments of Raphael’-oil on canvas-1866 Bristol-Museum and Art Gallery
26.8.15
Camels
Because of their resistance against thirst, camels are very common animals in the desert areas of North Africa and the Middle East.
Os camelos, pela sua resistência à sede, são animais muito comuns nas zonas desérticas do Norte de África e do Médio Oriente.
James Fairman (1826.1904)-‘oriental oasis’
Eugen Felix Prosper Bracht (1842-1921)-‘rest in the Syrian desert’-oil on canvas-1883 Private collection
Franz Xaver Kosler (1864-1905)-‘merchants in a North African market’-oil on canvas-1896 Private collection
Jean-Léon Gérôme (1824-1904)-‘camels at a watering trough’-oil on canvas-1857 Ottawa-National Gallery of Canada
Edwin Kord Weeks (1849-1903)-‘camels in a well, Tangiers’-oil on canvas-1880 Private collection
Os camelos, pela sua resistência à sede, são animais muito comuns nas zonas desérticas do Norte de África e do Médio Oriente.
James Fairman (1826.1904)-‘oriental oasis’
Eugen Felix Prosper Bracht (1842-1921)-‘rest in the Syrian desert’-oil on canvas-1883 Private collection
Franz Xaver Kosler (1864-1905)-‘merchants in a North African market’-oil on canvas-1896 Private collection
Jean-Léon Gérôme (1824-1904)-‘camels at a watering trough’-oil on canvas-1857 Ottawa-National Gallery of Canada
Edwin Kord Weeks (1849-1903)-‘camels in a well, Tangiers’-oil on canvas-1880 Private collection
25.8.15
Holland by Jacob H. Maris
The Dutchman Jacob Henricus Maris (1837-1899) painted motifs about his country.
O holandês Jacob Henricus Maris (1837-1899) pintou motivos do seu país.
Jacob Henricus Maris (1837-1899)-‘the exterior of the Schreierstoren in Amsterdam’-1875
Jacob Henricus Maris (1837-1899)-‘the Schreierstoren with the bridge over the Geldersekade in Amsterdam’-1876 Amsterdam-Rijksmuseum
Jacob Henricus Maris (1837-1899)-‘on the Amstel’-oil on canvas-1885 Edinburgh-Scottish National Gallery
Jacob Henricus Maris (1837-1899)-‘the bridge’-1879 Amsterdam-Rijksmuseum
Jacob Henricus Maris (1837-1899)-‘houses and washerwomen in Dordrecht’
O holandês Jacob Henricus Maris (1837-1899) pintou motivos do seu país.
Jacob Henricus Maris (1837-1899)-‘the exterior of the Schreierstoren in Amsterdam’-1875
Jacob Henricus Maris (1837-1899)-‘the Schreierstoren with the bridge over the Geldersekade in Amsterdam’-1876 Amsterdam-Rijksmuseum
Jacob Henricus Maris (1837-1899)-‘on the Amstel’-oil on canvas-1885 Edinburgh-Scottish National Gallery
Jacob Henricus Maris (1837-1899)-‘the bridge’-1879 Amsterdam-Rijksmuseum
Jacob Henricus Maris (1837-1899)-‘houses and washerwomen in Dordrecht’
24.8.15
Open air by R. G. Holdredge
The American artist Ransome Gillett Holdredge (1836-1899) showed he was interested in outdoor motifs.
O norte-americano Ransome Gillett Holdredge (1836-1899) mostrou interesse por temas ao ar livre.
Ransome Gillett Holdredge (1836-1899)-‘Sioux encampment in the Rockies’-oil on canvas-1880 Private collection
Ransome Gillett Holdredge (1836-1899)-‘Indian encampment in the Sierras’-oil on canvas Private collection
Ransome Gillett Holdredge (1836-1899)-‘High Sierra Indian encampment’-oil on canvas-1874 Private collection
Ransome Gillett Holdredge (1836-1899)-‘the wine festival’-1876
Ransome Gillett Holdredge (1836-1899)-‘Indian camp in the Cascades’
O norte-americano Ransome Gillett Holdredge (1836-1899) mostrou interesse por temas ao ar livre.
Ransome Gillett Holdredge (1836-1899)-‘Sioux encampment in the Rockies’-oil on canvas-1880 Private collection
Ransome Gillett Holdredge (1836-1899)-‘Indian encampment in the Sierras’-oil on canvas Private collection
Ransome Gillett Holdredge (1836-1899)-‘High Sierra Indian encampment’-oil on canvas-1874 Private collection
Ransome Gillett Holdredge (1836-1899)-‘the wine festival’-1876
Ransome Gillett Holdredge (1836-1899)-‘Indian camp in the Cascades’
23.8.15
Farm girls by H. J. Y. King
Henry John Yeend King (1855-1924) was interested in the representation of young people working in family agricultural settings.
Henry John Yeend King (1855-1924) interessou-se pela representação de jovens a trabalhar nas estruturas agrícolas familiares.
Henry John Yeend King (1855-1924)-‘feeding the doves’ Private collection
Henry John Yeend King (1855-1924)-‘in the garden’
Henry John Yeend King (1855-1924)-‘picnic on the river’ Private collection
Henry John Yeend King (1855-1924)-‘feeding the ducks’ Private collection
Henry John Yeend King (1855-1924)-‘afternoon picnic’ Private collection
Henry John Yeend King (1855-1924) interessou-se pela representação de jovens a trabalhar nas estruturas agrícolas familiares.
Henry John Yeend King (1855-1924)-‘feeding the doves’ Private collection
Henry John Yeend King (1855-1924)-‘in the garden’
Henry John Yeend King (1855-1924)-‘picnic on the river’ Private collection
Henry John Yeend King (1855-1924)-‘feeding the ducks’ Private collection
Henry John Yeend King (1855-1924)-‘afternoon picnic’ Private collection
22.8.15
Cuba-USA by E. D. Lewis
The American artist Edmund Darch Lewis (1835-1810) painted landscapes of Cuba and of his country.
O norte-americano Edmund Darch Lewis (1835-1810) pintou paisagens de Cuba e do seu país.
Edmund Darch Lewis (1835-1810)-‘Santiago of Cuba’-oil on canvas-1864 Private collection
Edmund Darch Lewis (1835-1810)-‘Cuban landscape’-oil on canvas-1860 Private collection
Edmund Darch Lewis (1835-1810)-‘scene in the Catskills’-oil on canvas-1880 Private collection
Edmund Darch Lewis (1835-1810)-‘family outing in the Catskills’-oil on canvas-1877 Private collection
Edmund Darch Lewis (1835-1810)-‘Narragansett pier’-watercolor-1888 Private collection
O norte-americano Edmund Darch Lewis (1835-1810) pintou paisagens de Cuba e do seu país.
Edmund Darch Lewis (1835-1810)-‘Santiago of Cuba’-oil on canvas-1864 Private collection
Edmund Darch Lewis (1835-1810)-‘Cuban landscape’-oil on canvas-1860 Private collection
Edmund Darch Lewis (1835-1810)-‘scene in the Catskills’-oil on canvas-1880 Private collection
Edmund Darch Lewis (1835-1810)-‘family outing in the Catskills’-oil on canvas-1877 Private collection
Edmund Darch Lewis (1835-1810)-‘Narragansett pier’-watercolor-1888 Private collection
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