Spanish motifs by Ricardo López Cabrera

The Spanish Ricardo López Cabrera (1866-1950) painted family and landscape motifs.

O Espanhol Ricardo López Cabrera (1866-1950) pintou temas familiares e paisagísticos.

Ricardo López Cabrera (1866-1950)-'newly married'-oil on canvas-1905

Ricardo López Cabrera (1866-1950)-'feeling the baby'-oil on canvas

Ricardo López Cabrera (1866-1950)-'watermills in el Genil'-oil on canvas

Ricardo López Cabrera (1866-1950)-'woman reading'-oil on canvas    Granada-Museo de Bellas Artes

Ricardo López Cabrera (1866-1950)-'story-teller'-oil on canvas

History of Russia by Grigoriy Ivanovich Ugryumov

The Russian painter Grigoriy Ivanovich Ugryumov (1764-1823) was concerned mainly with historical themes of his country.

O pintor Russo Grigoriy Ivanovich Ugryumov (1764-1823) preocupou-se principalmente com temas históricos do seu país.

Grigoriy Ivanovich Ugryumov (1764-1823)-'solemn entry of Alexander Newsky in Pskov, after they won by defeating the Germans'-oil on canvas-1793    St Petersburg-Russian Museum    

Grigoriy Ivanovich Ugryumov (1764-1823)-'the capture of Kazan by Ivan the Terrible on Octobre 2, 1552'-oil on canvas-ca 1800    St Petersburg-Russian Museum  

Grigoriy Ivanovich Ugryumov (1764-1823)-'Mikhail Feodorovich in surmmoned to the Russian throne on March 14, 1613'-oil on canvas-ca 1800    Moscow-Tretyakov Gallery

Grigoriy Ivanovich Ugryumov (1764-1823)-'the trial of strength of Yan Usmar'-oil on canvas-(1797-1799)  

Grigoriy Ivanovich Ugryumov (1764-1823)-'Minin appeals to the Duke Pozharsky about saving the fatherland'-oil on canvas-ca 1800     Moscow-Tretyakov Gallery  

Black Brazilians by Henry Chamberlain

The British painter Henry Chamberlain (1796-1844), the first Baronet of Chamberlain, reproduced several aspects of black Brazilians around 1820.

O pintor Britânico Henry Chamberlain (1796-1844), 1.º Barão de Chamberlain, reproduziu vários aspetos dos negros Brasileiros cerca de 1820.

Henry Chamberlain (1796-1844)-'fruit seller in Lapa or quitandeiras da Lapa'-watercolor-(1819-1820)     São Paulo-Museu de Arte

Henry Chamberlain (1796-1844)-'a stall in the market or uma barraca no mercado'-etching and watercolor on paper-1821    São Paulo-Pinacoteca do Estado

Henry Chamberlain (1796-1844)-'gloria's square or Largo da Glória' etching and watercolor on paper-1821    São Paulo-Pinacoteca do Estado

Henry Chamberlain (1796-1844)-'free black tent in Rio de Janeiro or barraca de negra livre'-watercolor on paper-1821    São Paulo-Pinacoteca do Estado

Henry Chamberlain (1796-1844)-'the black market or o mercado dos negros'-etching-1822    Rio de Janeiro-Museu da Chácara do Céu

Women and fables by Jean-Baptiste Jules David

Besides being a painter, the French Jean-Baptiste Jules David (1808-1892) was also an illustrator, and lithographer. He composed the album 'Vice et vertu', 'Mistères de Paris', 'Histoire de Napoléon' among other works. He collaborated in the 'Journal des Demoiselles'.

Além de pintor, foi o Francês Jean-Baptiste Jules David (1808-1892) ilustrador e litógrafo. Compôs o álbum 'Vice et vertu', 'Mistères de Paris' e 'Histoire de Napoléon' entre outras obras. Colaborou no 'Journal des Demoiselles'.

Jean-Baptiste Jules David (1808-1892)-'mother and children in walking dress'

Jean-Baptiste Jules David (1808-1892)-'the fox and the grapes (La Fontaine; Fables)'-watercolor

Jean-Baptiste Jules David (1808-1892)-'gardener'-watercolor

Jean-Baptiste Jules David (1808-1892)-'the wolf as a shepherd (La Fontaine; Fables) -watercolor

Jean-Baptiste Jules David (1808-1892)-'arrested of a prostitute by the police'

Interiors

The pictorial representations of interior scenes depend not only on the School to which the artist belongs, but also on the quality of people and ornaments.

As representações pictóricas de cenas de interiores dependem não só da escola a que pertence o artista plástico, mas também da qualidade das pessoas e adereços.

John S. C. Schaak (active Westminster 1761-1769)-'a tavern interior with a gentleman being served by a maid in the foreground, an army officer and other figures in a kitchen beyond'-oil on panel-1762

William James Müller (1812-1845)-'the drawing room at Fontainebleau'-watercolor-1845

Charles Essenhigh Corke (1852-1922)-'drawing room of the old family Austen house, Sevenoaks'-watercolor-1905

Henry Townley Green (1836-1899)-'a young woman seated in a kitchen interior'-1895

Circle of Jan Miense Molenaer (ca 1609-1668)-'two peasants in a kitchen interior with a pig's carcass hanging nearby'-oil on panel

French water sceneries by Joseph Garibaldi

At the end of his trips to Italy and Tunisia, the Marseilles Joseph Garibaldi (1863-1941) settled in Provence where he painted river and sea zones.

O Marselhês Joseph Garibaldi (1863-1941) no final de viagens pela Itália e Tunísia fixou-se na Provença onde pintou zonas fluviais e marítimas.

Joseph Garibaldi (1863-1941)-'entrance of the port of Marseille'-oil on canvas

Joseph Garibaldi (1863-1941)-'view of the Cathedrla of the Auxerre'-oil on canvas

Joseph Garibaldi (1863-1941)-'tall ship in Cassis'-oil on canvas

Joseph Garibaldi (1863-1941)-'the port of Marseille'-oil on canvas    Private collection

Joseph Garibaldi (1863-1941)-'the port of La Jolie (Marseille) from the Pharo'-oil on canvas-1898

School (17th-19th century)

At school there are teachers to teach students in accordance with methods that differ in terms of political and religious conceptions.

Na escola existem professores para ensinar alunos de acordo com métodos que diferem em função de conceções políticas e religiosas.

Attr. Jan Joseph Horemans (1682-1759)-'in the schoolroom'-oil on canvas

Théodore Bernard de Heuvel (1817-1906)-'the classroom'-oil on panel-1872

Attr. Jan Janszoon van Buesem (1600-1649)-'a calssroom interior with the Master trimming a quill'-oil on panel

Paul-Louis Martin des Amoignes (1858-1925)-'in the classroom'-oil on canvas-1886

Erskine Nicol (1825-1904)-'kept in'-oil on canvas-ca 1871

Orient by Louis Henri de Rudder

Louis Henri de Rudder (1807-1881) published in the book “Voyages dans l'Inde” engravings of works of the diplomat Prince Aleksey Dmitriovich Saltykov (1806-) painted during the 1841-1843 and 1845-1846 trips and printed in his book “Lettres sur l'Inde”, Amyot, Paris (1848).

Louis Henri de Rudder (1807-1881) publicou no livro Voyages dans l'Inde as gravuras das obras do diplomata príncipe Aleksey Dmitriovich Saltykov (1806-) pintadas nas viagens realizadas em 1841-1843 e 1845-1846 e impressas no seu livro Lettres sur l'Inde, Amyot, Paris (1848).

Louis Henri de Rudder (1807-1881) after Prince Aleksey Dmitriovich Saltykov (1806- )-'Maharaja Sher Sing of the Punjab and his entourage out hunting'-engraving

Louis Henri de Rudder (1807-1881) after Prince Aleksey Dmitriovich Saltykov (1806- )-'cavalcade of Sikh of Chieftans on elephants'-engraving

Louis Henri de Rudder (1807-1881) after Prince Aleksey Dmitriovich Saltykov (1806- )-'hunting leopards ready for chase'-engraving

Louis Henri de Rudder (1807-1881) after Prince Aleksey Dmitriovich Saltykov (1806-)-'buy in g arms in Delhi'-engraving

Louis Henri de Rudder (1807-1881) after Prince Aleksey Dmitriovich Saltykov (1806-)-'a street in Lahore'-engraving

Louis Henri de Rudder (1807-1881) after Prince Aleksey Dmitriovich Saltykov (1806-) 'elephants of the Raja of Travandrum'-engraving

Clean air by Heinrich Bürkel

The German painter Heinrich Burkel (1802-1869) left several works about countryside tasks and open air living.

O pintor Alemão Heinrich Bürkel (1802-1869) deixou diversas obras sobre trabalhos campestres e vida ao ar livre.

Heinrich Bürkel (1802-1869)-'bull and painter'-oil on canvas

Heinrich Bürkel (1802-1869)-'drinking hunter in front of the huntinglodge'-oil on canvas    Private collection

Heinrich Bürkel (1802-1869)-'cattle watering at a fountain on the Via Appia Antica'-oil on canvas-ca 1837

Heinrich Bürkel (1802-1869)-'loading the haywagon'-oil on canvas    Private collection

Heinrich Bürkel (1802-1869)-'the horse round-up'-oil on canvas

Heinrich Bürkel (1802-1869)-'the little church in stone mountain'-oil on canvas

Last Supper furniture and food

In 15th century paintings Jesus always appears as the central figure, with or without an aura. Around the rectangular table, with bread, glasses and glass bottles, the disciples sit on slide or individual benches without backs.

Nas pinturas do séc. XV Jesus aparece sempre como figura central, com ou sem auréola. À mesa retangular, com pão, copos e garrafas de vidro, sentam-se os discípulos em bancos sem espaldar, corridos ou individuais.

Dieric Bouts the Elder (ca 1415-1475)-'Last Supper'-oil on wood    Löwen-St Peter Cathedral (Flügelaltar)

Jaume Huguet (1415-1492)-'Last Supper'-oil on wood      Barcelona-Museu Nacional d'Art de Catalunya

Jean de Flandes (ca 1460-1519)-'Last Supper'-oil on canvas    Madrid-Museu delo Prado

Unknown (15th century)-'Last Supper'-oil on wood-(1470-1478)    Spisska Kaptiula (Slovakia)-St Martin Cathedral (altarpiece)

Hans Holbein the Younger (ca 1497-1543)-'Last Supper'-tempera on limewood    Basel-Kunstmuseum